Teo Quintana

Piranesi Variations, Venice Biennale

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Exhibition design

Eisenman Architects, 2012.

On occasion of Common Ground, director Sir David Chipperfield’s Thirteenth Architecture Biennale in Venice. I worked with Eisenman Architects to present A Field of Diagrams, wherein the improbable compositional aesthetics that drive Piranesi’s etchings are transformed into a spatial and temporal palimpsest between Imperial Rome and the present day, generating a radical notion of vertical dimension. The project is part of The Piranesi Variations, which includes three other contemporary interpretations of Piranesi’s fantastical project for Rome.

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Historical background

In 1762, after years of fieldwork measuring the remains of ancient Roman edifices, Giovanni Battista Piranesi published his Campo Marzio dell’antica Roma, a folio of etchings that have haunted the minds of architects and architectural scholars ever since. These etchings and further studies of ancient Rome completed by Piranesi construct a landmark shift—characteristic of the Enlightenment—from a traditional antiquarian perspective to a scientific, archaeological view of history.